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Pablo Picasso, Buste, 1957

Pablo Picasso

Buste, 1957
Lithograph on Arches wove paper
66.0 × 50.5 cm
26.0 × 19.9 in
Series: Lithograph
Hand numbered in pencil '44 | 50' lower left.
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Buste by Pablo Picasso captures a female figure in profile, her gaze directed away from the viewer in a moment of quiet contemplation. Created in 1957, this numbered lithograph on...
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Buste by Pablo Picasso captures a female figure in profile, her gaze directed away from the viewer in a moment of quiet contemplation. Created in 1957, this numbered lithograph on Arches wove paper demonstrates the artist's command of the medium during a period when he was increasingly drawn to printmaking as a vehicle for intimate expression.

The work reveals Picasso's ability to convey psychological depth through economy of line. The subject's hair falls in loose, expressive strokes that frame her face, while her profile is rendered with characteristic precision—the eye remains visible despite the three-quarter turn, a device Picasso employed throughout his career to suggest multiple viewpoints within a single image. Her patterned garment, indicated through a series of circular motifs and cross-hatched textures, provides visual weight to the piece whilst maintaining the spontaneous quality of the drawing.

The lithographic medium allows for subtle gradations of tone across the figure's face and clothing, creating a sense of volume without relying on conventional modelling. Picasso's handling of the lithographic crayon produces areas of rich black alongside delicate grey washes, particularly evident in the rendering of the hair and the textural details of the garment. The profile format recalls classical traditions whilst the loose, gestural quality of the mark-making anchors the work firmly in the twentieth century.

This lithograph dates to a period when Picasso was dividing his time between his studios in Cannes and Vallauris, working prolifically across multiple media. The intimacy of scale and subject matter reflects his interest in more personal themes during these years, often focusing on individual portraits rather than the grand historical or mythological subjects that had occupied him in previous decades. The direct, unidealized treatment of the female figure speaks to his evolving approach to portraiture in his seventies.

Buste demonstrates how Picasso adapted his distinctive formal approach to the demands and possibilities of lithography. The freshness of the medium suited his working method, allowing him to capture fleeting expressions and gestures with remarkable directness. The numbered edition reflects the care with which these prints were produced, each impression maintaining the freshness and spontaneity of the original drawing whilst benefiting from the collaborative expertise of master printers.

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