Francis Bacon Prints For Sale

  • Francis Bacon original prints for sale

    Francis Bacon Original Art For Sale

    Signed Prints. Afters. Original Artworks.

    Francis Bacon transformed figurative painting through distorted bodies, stark interiors and psychologically charged compositions that remain among the most recognisable images in twentieth-century art. Working across painting, drawing and printmaking, Bacon reduced the human figure to something unstable, isolated and intensely physical, producing works that continue to exert enormous influence across contemporary art today.

    Browse Francis Bacon signed prints for sale — including rare original etchings, lithographs and posthumous aquatints by one of the defining voices in British art — alongside collecting guides, market commentary and key works from Bacon’s print catalogue.

     


     

  • Buy Original Francis Bacon Signed Prints

    Authentic Francis Bacon Prints. International Shipping Available. Worldwide Collectors.
    • Francis Bacon, Study for Portrait of Pope Innocent X after Velázquez, 1989
      Francis Bacon, Study for Portrait of Pope Innocent X after Velázquez, 1989
    • Francis Bacon, after Figure at a Washbasin (1976), 1977
      Francis Bacon, after Figure at a Washbasin (1976), 1977
    • Francis Bacon, after Portrait of Michel Leiris (1976), 1977
      Francis Bacon, after Portrait of Michel Leiris (1976), 1977
    • Francis Bacon, after Seated Figure (1977), 1992
      Francis Bacon, after Seated Figure (1977), 1992
    • Francis Bacon, after Seated Figure – from Study for a Portrait (1981), 1983
      Francis Bacon, after Seated Figure – from Study for a Portrait (1981), 1983
    • Francis Bacon, after Second Version of the Triptych (1944), 1989
      Francis Bacon, after Second Version of the Triptych (1944), 1989
    • Francis Bacon, Oedipus and the Sphinx after Ingres, 1984
      Francis Bacon, Oedipus and the Sphinx after Ingres, 1984
    • Francis Bacon, Oresteia of Aeschylus, 1981
      Francis Bacon, Oresteia of Aeschylus, 1981
    • Francis Bacon, Portrait of Michel Leiris from Miroir de la Tauromachie, 1990
      Francis Bacon, Portrait of Michel Leiris from Miroir de la Tauromachie, 1990
    • Francis Bacon, Three Studies of the Male Back, 1987
      Francis Bacon, Three Studies of the Male Back, 1987
    • Francis Bacon, Triptych 1991 (After Triptych, Right Panel), 1992
      Francis Bacon, Triptych 1991 (After Triptych, Right Panel), 1992
    • Francis Bacon, Triptych, March 1974 – Centre Panel, 1978
      Francis Bacon, Triptych, March 1974 – Centre Panel, 1978
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  • Francis Bacon: Distortion, Space and the Human Body

    The beauty of anguish

    Francis Bacon is the most important British figurative painter of the 20th century and one of the most collected artists in the world. Born in Dublin in 1909, he moved to London in the late 1920s and spent decades finding his voice before Three Studies for Figures at the Base of a Crucifixion (1944) announced him fully-formed and unforgettable to the post-war world. His paintings — distorted figures in constricting spaces, screaming popes, wrestlers, lovers and friends rendered in states of dissolution and raw physical presence — are among the most viscerally powerful images in the history of art.

    Bacon never sought formal training. He taught himself by looking — obsessively and voraciously — at Velázquez and Goya, at Eadweard Muybridge's photographs of figures in motion, at X-rays and medical imagery, at the Old Masters and the Surrealists. His studio at 7 Reece Mews, South Kensington — preserved in its entirety at the Hugh Lane Gallery in Dublin — was famously chaotic, every surface buried under photographs, magazine clippings and paint-smeared paper that fed directly into his canvases. He described himself not as a painter but as a medium for accident and chance.

    His print catalogue is extraordinarily small for an artist of his stature. All works are produced after 1965 and based on specific paintings from his own catalogue, and encompass etchings, lithographs, lithographic offsets and posthumous aquatints — the full range documented across Bruno Sabatier's Francis Bacon Oeuvre Graphique and Alexandre Tacou's Francis Bacon: Estampes. These are not prints Bacon made at a press in the manner of Picasso or Matisse. They are works produced in close collaboration with skilled printmakers, translating his painted imagery into print under his supervision and bearing his signature. Bacon was selective to the point of severity in authorising his printed output — and a signed Francis Bacon print is the direct product of that severity.

    Alex Yellop advise collectors internationally across Francis Bacon prints, rare signed editions and historically important published works.

    For information on Francis Bacon original prints for sale, contact our London dealership via info@alexyellop.com. 

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  • Collecting Francis Bacon Prints

    UNDERSTANDING THE BACON PRINT MARKET

     Francis Bacon’s print catalogue occupies a highly distinct position within the art market. Produced across a comparatively small number of editions and tied directly to major paintings from his own work, Bacon’s prints are unusually concentrated in scope. Etchings, lithographs, lithographic offsets and posthumous aquatints each form a distinct part of the Bacon print market.


     

  • Buy Francis Bacon Signed Prints

    Understanding Francis Bacon Prints

    Etchings, Lithographs, Lithographic Offsets and Posthumous Aquatints

    Bacon’s printed works fall into four distinct categories. His etchings and lithographs were produced during his lifetime in close collaboration with specialist printmakers, all authorised and signed by the artist and based directly on specific paintings from his own catalogue. Lithographic offsets form a technically distinct category in which the image is transferred indirectly, producing a noticeably different surface quality and tonal character from the etched and lithographic works.

    Posthumous aquatints were produced after Bacon’s death in 1992, based on existing paintings and authorised through the estate. Throughout the catalogue, the “after” designation — as in after Study for Self-Portrait (1982) or after Second Version of the Triptych (1944) — identifies the exact painting from which the print derives. The full print catalogue is documented across Bruno Sabatier’s Francis Bacon Oeuvre Graphique and Alexandre Tacou’s Francis Bacon: Estampes.

  • Francis Bacon Original Prints For Sale

    Key Works in the Francis Bacon Print Catalogue

    Triptychs, Self-Portraits and Studies

    The strongest works in Bacon’s print catalogue tend to centre around the major triptych images — after Second Version of the Triptych (1944), after Triptych August 1972 and after Triptych Inspired by the Oresteia of Aeschylus — alongside the self-portraits, Pope studies and portraits of close friends and sitters including Michel Leiris, John Edwards and Peter Beard. Prints such as Francis Bacon after Study for Portrait of Pope Innocent X after Velázquez translate Bacon’s celebrated responses to Velázquez into the print medium with remarkable intensity, retaining the isolation, distortion and spatial tension of the painted originals.

    The triptych format occupies a central position within the catalogue, allowing Bacon’s fragmented figures and shifting psychological states to unfold across multiple panels. By contrast, the portrait prints are often more compressed and intimate in scale, reducing the figure to distortion, surface and the instability of the human face.

  • Francis Bacon Articles

    Collecting Guides. Market Insights. Editorials