Bridget Riley Prints For Sale

  • Buy Bridget Riley Prints

    Original Bridget Riley Prints

    Waves, Lines & Form

    Bridget Riley reshaped contemporary abstraction through rhythm, optical movement and the precise interaction of colour and form. From her early black-and-white compositions to her later chromatic studies, Riley’s work creates shifting visual experiences that challenge perception and spatial awareness. As one of the most important British artists of the twentieth century, Bridget Riley remains central to the history of Op Art and contemporary abstraction.

    Alex Yellop, London advise collectors internationally across original Bridget Riley prints for sale — including signed screenprints, rare works on paper and important Op Art editions spanning her six-decade career. From the iconic black-and-white geometric compositions of the 1960s to the vibrant stripe, wave and lozenge series, Riley’s prints remain among the most sought-after works in British contemporary art.

    Explore authentic Bridget Riley prints for sale alongside market reports, series guides and collecting editorials

     


     

  • Buy Bridget Riley Signed Prints and Limited Editions

    Bridget Riley original Art For Sale. Worldwide Collectors. International Shipping.
    • Bridget Riley, Between the Two, 2005
      Bridget Riley, Between the Two, 2005
    • Bridget Riley, Blue Dominance, 1977
      Bridget Riley, Blue Dominance, 1977
    • Bridget Riley, Brouillard, 1981
      Bridget Riley, Brouillard, 1981
    • Bridget Riley, Elongated Triangles 1, 1971
      Bridget Riley, Elongated Triangles 1, 1971
    • Bridget Riley, From One to the Other, 2005
      Bridget Riley, From One to the Other, 2005
    • Bridget Riley, Large Fragment, 2006
      Bridget Riley, Large Fragment, 2006
    • Bridget Riley, Large Fragment 2, 2009
      Bridget Riley, Large Fragment 2, 2009
    • Bridget Riley, Magenta and Blue, 2002
      Bridget Riley, Magenta and Blue, 2002
    • Bridget Riley, Magenta and Green, 2002
      Bridget Riley, Magenta and Green, 2002
    • Bridget Riley, Magenta and Yellow, 2002
      Bridget Riley, Magenta and Yellow, 2002
    • Bridget Riley, Rose Rose, 2011
      Bridget Riley, Rose Rose, 2011
    • Bridget Riley, Untitled (Rose), 1978
      Bridget Riley, Untitled (Rose), 1978
  • Bridget Riley: Britain's Most Influential Female Artist

    The Perfection of Perception

    Bridget Riley is one of the most important British artists of the post-war period and a defining figure in the history of abstract and Op Art. Born in Norwood, London in 1931 and shaped in part by a childhood spent in Cornwall — whose shifting light and coastal landscapes left a lasting influence on her understanding of colour and perception — Riley studied at Goldsmiths College and the Royal College of Art before dedicating herself entirely to painting in the late 1950s. Her work is held in the collections of the Tate, the Centre Pompidou, the Metropolitan Museum of Art, the Stedelijk Museum and the Art Institute of Chicago, among dozens of other major institutions worldwide.

    Her breakthrough came with Movement in Squares in 1961 — a black-and-white painting of alternating rectilinear forms that compress and expand as they approach the canvas edge, creating a powerful illusion of spatial movement. It announced a practice built entirely on the phenomenon of visual perception: Riley’s art does not depict the world but acts directly on the eye, creating sensations of rhythm, vibration and depth through the precise arrangement of form and colour. This was Op Art — Optical Art — and Riley became its most rigorous and celebrated practitioner.

    The early works of the 1960s were monochromatic: geometric patterns of black and white that produced destabilising visual effects through contrast and repetition. In 1967 she introduced colour, and the subsequent decades saw her explore the visual possibilities of the stripe, wave, lozenge and interval through increasingly complex relationships of colour, rhythm and movement. Her Venice Biennale Prize for Painting in 1968 confirmed her international standing at the moment her colour work first reached its full intensity.

    Alex Yellop specialise in original Bridget Riley prints and works on paper, spanning early black-and-white compositions through to the major colour series of the later decades. Whether acquiring a first Riley or refining an established collection, her prints remain among the defining works of post-war British abstraction.

    For information on available Bridget Riley prints for sale, contact our London dealership via info@alexyellop.com. 

    Interested in selling? Find out how to sell your Bridget Riley prints with confidence.

  • Collecting Bridget Riley

    What. How. Why.

    For collectors, Riley’s print catalogue represents one of the most refined bodies of work in British contemporary art. Produced primarily as screenprints in carefully controlled editions, her prints translate the precision, rhythm and optical intensity of the paintings into a graphic medium of remarkable clarity. Early black-and-white works from the 1960s appear infrequently on the market, while later colour series — including Stripes, Fragments, Lozenges, Waves and Intervals — trace the evolution of Riley’s sustained exploration of movement, perception and colour across more than six decades.

     


     

  • Bridget Riley Signed Prints For Sale

    Bridget Riley Early Prints

    Black and White and the Op Art Originals

    Riley’s earliest screenprints, produced from the 1960s through the mid-1970s, established the foundations of her printmaking practice and remain among the defining works of the Op Art movement. Rooted in the black-and-white geometric compositions that first brought her international recognition — undulating lines, shifting curves and tightly controlled grids — these works translate optical movement into a graphic form of remarkable precision and intensity.

    Produced in small editions and increasingly scarce on the secondary market, early screenprints including Untitled (Diagonal Curve) occupy a central position within the Riley market. The strongest examples retain the sharp contrasts, surface clarity and exacting registration that define Riley’s work during this period.

  • Signed Bridget Riley Prints For Sale

    A Burst of Colour

    Stripes, Waves, Lozenges and Intervals

    From the late Sixties onwards, colour became the primary instrument of Riley’s practice. Her Stripe series — horizontal bands of pure colour that vibrate and shift as the eye moves across them — remains one of the most recognisable bodies of work in British Op Art. The Wave series introduced gentle rhythmic curves carrying associations with landscape and movement, particularly the Cornish coastline that shaped Riley’s early understanding of light and perception. The Lozenge series placed interlocking planes of colour into geometric diamond forms, creating compositions that evoke motion through pure abstraction.

    Later series including Fragments, Large Fragments, Intervals and Composition with Circles each introduced increasingly complex relationships between colour, rhythm and spatial tension. Together, these works trace the evolution of Riley’s sustained investigation into perception across more than six decades of printmaking.

  • Bridget Riley Articles

    Collecting Guides. Market Insights. Editorials.