The Story of Red and Blue Complete Portfolio (Littmann PP. 128-133) by Keith Haring restricts its twenty prints to red, blue and black against white, a palette narrow enough to make every recurring motif carry more weight than it would in his fuller-colour work.

Faces, floating heads, hands, snails and hybrid creatures recur across the set in a register closer to his early cartoonish drawings than to the bolder public imagery he's best known for. With the palette locked down to three colours, repetition itself becomes the organising device — the same handful of forms returning again and again across twenty sheets until the sequence starts to function less like twenty separate prints than one long, unfolding sentence.

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