Pop Shop II (A) (Littmann P. 96) by Keith Haring features a conjoined dancing figure, one of the artist's most inventive variations on the human form with a bright pop-art colour palette

Rather than depicting a single individual, Haring combines two figures into one interconnected body. The work suggests cooperation, balance and collective energy, themes that appear throughout his work. By merging separate forms into a unified whole, he transforms the dancing figure into a symbol of human connection, allowing the image to operate on both a personal and universal level.

The print was produced during a period when the Pop Shop had become central to Haring's artistic philosophy. Established in New York in 1986, the project extended ideas that had shaped his career from the beginning: the belief that art should circulate freely and engage audiences beyond traditional gallery spaces. The Pop Shop portfolios brought together many of his most recognisable images, presenting them in a format that could reach collectors while remaining closely aligned with the principles that informed his practice.

Movement remained one of Haring's most enduring subjects. Influenced by dance, music and the energy of downtown New York, he developed a pictorial language capable of conveying rhythm through the simplest of forms. In Pop Shop II (A), the doubled figure amplifies that sense of motion, creating an image that feels stable and animated.

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