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Keith Haring, Barking Dog, from Icons, 1990

Keith Haring

Barking Dog, from Icons, 1990
Screenprint with embossment
53.3 x 63.5 cm
21 x 25 in
Edition of 250
Series: Icons
Signed and dated in pencil by Julia Gruen (Executor for the Keith Haring Estate) on a stamped Certificate of Authenticity on the reverse
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Barking Dog, from Icons (Littmann P. 171) by Keith Haring features one of the most iconic motifs from Haring’s entire body of work, rendered in stark graphic form against an...
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Barking Dog, from Icons (Littmann P. 171) by Keith Haring features one of the most iconic motifs from Haring’s entire body of work, rendered in stark graphic form against an intense red background. The image isolates the barking dog in its most direct and direct configuration — mouth open, body rigid and radiating lines bursting outward with explosive energy.

The barking dog appeared continuously throughout Haring’s career across subway drawings, paintings, sculptures, prints and public murals, becoming one of the defining symbols within his alongside the radiant baby and dancing figures. Depending on context, the motif could suggest warning, aggression, protection, communication or raw instinctive force. Here, stripped of all surrounding narrative and reduced to a single central form, the image operates with maximum clarity and visual impact.

The work demonstrates Haring’s remarkable ability to generate intensity through radical simplification. Thick black contour lines define the white canine silhouette with the directness of street signage or public iconography, whilst the saturated red background amplifies the psychological charge of the image. The radiating marks surrounding the dog create a sense of vibration and sound, reinforcing the aggressive immediacy implied by the open jaw and rigid stance. Few contemporary artists managed to create symbols with such instant recognisability using so few visual elements. The image comes from the Icons portfolio, one of Haring’s final print projects, where he distilled key motifs from his career into singular graphic statements.

The silkscreen with embossment process adds a subtle physical dimensionality to the surface whilst preserving the flatness and immediacy central to Haring’s. The influence of graffiti, comic imagery, advertising and public communication systems remains evident throughout the work, maintaining the connection to the street-based origins of his practice. Barking Dog, from Icons remains one of the clearest and most powerful examples of Haring at his most concentrated. Aggressive, rhythmic and instantly legible, the work captures the raw energy and graphic force that made the barking dog one of the defining images of Haring’s career.

For more information or to buy Barking Dog, from Icons (Littmann P. 171) by Keith Haring, contact our specialists using the enquiry button above.

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Alex Yellop, London

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