Roy Lichtenstein Ten Landscapes Prints For Sale

Ten Landscapes marked a genuine turning point for Roy Lichtenstein: his first solo print portfolio, initiated in 1967 when the publisher Rosa Esman approached him directly about producing a project entirely his own, rather than one contribution among several artists in a group portfolio. Unlike the comic-strip panels and advertising imagery that had defined his work up to that point, every landscape in this portfolio was invented from scratch, drawn from nothing but Lichtenstein's own imagination rather than adapted from an existing printed source. That shift alone makes Ten Landscapes an important hinge in his early career, the moment his prints stopped translating other people's pictures and started inventing their own.

The technical ambition matched the conceptual shift. Lichtenstein built each landscape from screenprint combined with iridescent Mylar and Rowlux, a lenticular plastic material that shifts and shimmers depending on the angle it's viewed from, which he'd first tested a couple of years earlier on a single standalone print before committing to it across an entire portfolio. He hand-cut every stencil himself and took the source photographs personally, working closely with printer Charles Cardinale to translate horizons, sunsets and cloud-heavy skies into flat planes of shifting colour and reflective material. The results read less like landscape painting and more like landscape as pure optical effect, images that change as the viewer moves in front of them rather than staying fixed the way a printed comic panel does.

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  • Roy Lichtenstein Ten Landscapes

    Explore prints from Roy Lichtenstein's Ten Landscapes series for sale
    • Roy Lichtenstein, Landscape 1 (C.51), 1967
      Roy Lichtenstein, Landscape 1 (C.51), 1967
    • Roy Lichtenstein, Landscape 2 (C.52), 1967
      Roy Lichtenstein, Landscape 2 (C.52), 1967
    • Roy Lichtenstein, Landscape 3 (C.53), 1967
      Roy Lichtenstein, Landscape 3 (C.53), 1967
    • Roy Lichtenstein, Landscape 4 (C.54), 1967
      Roy Lichtenstein, Landscape 4 (C.54), 1967
    • Roy Lichtenstein, Landscape 5 (C.55), 1967
      Roy Lichtenstein, Landscape 5 (C.55), 1967
    • Roy Lichtenstein, Landscape 6 (C.56), 1967
      Roy Lichtenstein, Landscape 6 (C.56), 1967
    • Roy Lichtenstein, Landscape 7 (C.57), 1967
      Roy Lichtenstein, Landscape 7 (C.57), 1967
    • Roy Lichtenstein, Landscape 8 (C.58), 1967
      Roy Lichtenstein, Landscape 8 (C.58), 1967
    • Roy Lichtenstein, Landscape 9 (C.59), 1967
      Roy Lichtenstein, Landscape 9 (C.59), 1967
    • Roy Lichtenstein, Landscape 10 (C.60), 1967
      Roy Lichtenstein, Landscape 10 (C.60), 1967
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  • The Ten Landscapes Market in 2026, An Overview

    The Ten Landscapes Market in 2026

    An Overview

    Ten Landscapes was Lichtenstein's first solo print portfolio, published in 1967 as nine screenprints and one collage, a genuine departure from the comic-panel imagery that had defined his career up to that point. Signed individual sheets have sold for between roughly £10,000 and £25,000, with values shaped by the specific materials and visual complexity of each print rather than any single dominant image within the set.

    Several sheets incorporate Rowlux, a shimmering plastic material Lichtenstein used to mimic reflected light and moving water, a technical experiment that set this portfolio apart from anything he had made in print before and one that continued to shape his later interest in illusion and reflection across subsequent decades of work. As his first sustained body of prints made away from Pop's most recognisable subjects, Ten Landscapes remains a genuinely distinct entry point into Lichtenstein's print career, valued by collectors for its early date, its technical innovation, and its place at the very start of his relationship with fine art printmaking as a serious, standalone practice.

  • The Roy Lichtenstein Market in 2026, An Overview

    The Roy Lichtenstein Market in 2026

    An Overview

    Lichtenstein's auction record stands at £63.4 million, set by Nurse (1964) at Christie's in 2015 after ten minutes of bidding from New York, Hong Kong and telephone bidders. In May 2026, Anxious Girl (1964), which had been out of public view for more than three decades, sold at Christie's for approximately £36 million, the first work to enter Lichtenstein's top ten highest-value sales since 2020.

    His print market reached approximately £13 million at the hammer across 354 lots in 2025, the highest annual sales value and volume of the past five years, up from £7.2 million in 2021. That total spread across his Nudes, his 1960s Pop imagery, his Interiors and his abstract series.

    Demand has broadened well beyond his top-tier results, with a small number of exceptional works continuing to account for the majority of total market value each year. Sotheby's held its first live evening sale built entirely around Lichtenstein's own editioned collection in 2025, over ninety works, achieving a white-glove result with every lot finding a buyer, and individual results from that period included Water Lilies With Willows, which sold for £948,967.