Untitled 2 (Littmann PP. 74) by Keith Haring (Littmann PP. 74) shows a large blue figure lifted above a group of smaller red figures - these cartoon human figures are some of the most iconic of Haring’s vocabulary, regularly appearing on his mural and studio output.

Haring uses primary colour against a yellow ground, with black contour lines defining each form with precision and fluidity. The repeated gestures of the figures below generate a steady visual cadence, directing attention toward the suspended body above. The scene is reduced to essential elements—figures, gesture, and colour—allowing the image to remain immediate and legible. The lifted figure reads as both supported and carried, with the surrounding forms acting as a unified base rather than individual participants.

This clarity reflects Haring’s ability to organise complex ideas through simplified structure. In 1987, Haring was refining this approach into formats that could extend beyond the gallery, anticipating the associated with his Pop Shop. The direct work, bold colour, and repeatable forms align with this shift, where imagery was designed to function across prints, posters, and wider distribution without losing impact.

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