Pablo Picasso began making ceramics in 1946, when a visit to the Madoura pottery in Vallauris and a meeting with its owners, Suzanne and Georges Ramié, produced three pieces, a faun’s head and two bulls, and he returned in 1947 to work at the studio almost daily, designing 633 different ceramic works for Madoura to produce in editions between 1947 and 1971.
Clay gave him surfaces that paper does not, with a round plate serving as a picture field and a pitcher carrying a face or a rider across the curve of its body, as in several of the pieces here, and the editions were made in two ways: for the Éditions Picasso each piece was replicated by hand from his design, while from 1949 the empreintes originales, a method taken from printmaking, had him carve or model into a plaster mould that was pressed with clay so that the design came out in reverse and incised lines became raised relief. Each piece carries a stamp, most often Madoura Plein Feu, Empreinte Originale de Picasso or Edition Picasso, and the editions are catalogued by A.R. number in Alain Ramié’s catalogue, and he wanted them to be widely owned, saying “I would like them to be found in every market”.
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