In a 1983 interview with the critic Henry Geldzahler for Andy Warhol's Interview magazine, Jean-Michel Basquiat was asked what he used to draw as a kid. His answer was unusually candid for someone already being treated as the art world's newest star: "I was a really lousy artist as a kid. Too abstract expressionist... really messy. I'd never win painting contests. I remember losing to a guy who did a perfect Spider-Man." Asked whether he'd ever been happy with his childhood work, he was just as blunt: "No, not at all. I really wanted to be the best artist in the class, but my work had a really ugly edge to it." That same rough, unresolved quality he lost points for as a boy became, within a few years, exactly what made his adult work so distinctive, and comic-book heroes never really left his vocabulary. A 1978 postcard collage, JFK, Thor, Giant-Man & Captain America, signed simply "JEAN B '78," shows Batman, Superman, Thor and Captain America already turning up years before his first gallery show.
Four screenprints make up the Superhero Portfolio: Riddle Me This, A Panel of Experts, Piano Lesson and Flash In Naples, all made between 1982 and 1987 but not published until Basquiat's estate issued them in 2022. Riddle Me This pulls from Batman's world through the Riddler, while Flash In Naples brings in The Flash, comic-book imagery layered under his usual scrawled text, crossed-out words and fragmented figures rather than any clean retelling of a story. The edition of 85 is stamped and signed on the reverse by his sisters, Lisane Basquiat and Jeanine Heriveaux, who administer his estate. Where the crown motif that runs through so much of Basquiat's work spent a career elevating real people, musicians, athletes, artists he admired, into a kind of self-made royalty, this portfolio turns that same instinct back toward the fictional heroes he'd once tried and failed to draw as a boy losing to a classmate's Spider-Man.
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