Keith Haring Fertility Portfolio For Sale: Facts | Meaning | Market Demand

The Fertility Suite is a portfolio of five screenprints that Keith Haring made in 1983, the year Tony Shafrazi Gallery in New York showed his work in Into 84 and published the suite, and three years before the Pop Shop opened. Every figure has a pregnant belly, and the panels of black, yellow and pink, in the neon colours of the New York club scene, give the suite a harsher look than the primary-colour prints that followed. Ancient Egyptian symbols run through it: the ankh, the sign of life, is drawn inside several bodies, and the large central figure recalls the tyet, associated with Isis.

Haring later wrote in his journal that the baby was “the purest and most positive experience of human existence”. In 1983 babies were arriving among his own friends, and Kenny Scharf, whose daughter was born that year, said Haring used the baby as “a symbol of hope”. The dots and dashes that cover some of the figures are read as a reference to the marks the AIDS virus leaves on the body, and the scenes move between celebration and foreboding, with the large spotted figure in two of the prints read as a fertility god or as the disease itself. For collectors, the Fertility Suite is one of Haring’s earliest and most ambitious print projects, the point at which his imagery moved from the subway into the gallery.

For more information or to buy Keith Haring Fertility Suite prints, contact our specialists via info@alexyellop.com. Discover more Keith Haring signed prints for sale or find out more about selling your Keith Haring prints.

 

  • Keith Haring Fertility Portfolio (Littmann PP. 31–33)

    Explore the complete Fertility Portfolio or individual works for sale
    • Keith Haring, Fertility Suite Complete Portfolio (Littmann PP. 31-33), 1983
      Keith Haring, Fertility Suite Complete Portfolio (Littmann PP. 31-33), 1983
    • Keith Haring, Fertility 1 (Littmann P. 31), 1983
      Keith Haring, Fertility 1 (Littmann P. 31), 1983
    • Keith Haring, Fertility 2 (Littmann P. 32), 1983
      Keith Haring, Fertility 2 (Littmann P. 32), 1983
    • Keith Haring, Fertility 3 (Littmann P. 32), 1983
      Keith Haring, Fertility 3 (Littmann P. 32), 1983
    • Keith Haring, Fertility 4 (Littmann P. 33), 1983
      Keith Haring, Fertility 4 (Littmann P. 33), 1983
    • Keith Haring, Fertility 5 (Littmann P. 33), 1983
      Keith Haring, Fertility 5 (Littmann P. 33), 1983
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  • Keith Haring Radian Baby

    The Keith Haring Market in 2026

    An Overview

    Keith Haring offers collectors a compelling combination of institutional standing, enormous global recognition and a finite supply of original editions. His work belongs to major museum collections, including New York’s Museum of Modern Art and the Museum of Contemporary Art, Los Angeles, while his imagery is recognised far beyond the art world. For buyers, this brings the opportunity to collect an artist whose cultural importance is established and whose appeal reaches across generations and international markets.

    That recognition is supported by substantial auction results. Haring’s record stands at $6.54 million, while all 31 subway drawings from a major private collection sold for a combined $9.2 million in 2024, demonstrating exceptional demand for this important group. His prints continue to appear consistently at international auctions, providing an established history of transactions against which collectors can assess an acquisition.

    Throughout Haring’s printed output, collectors can own the imagery that made him recognised around the world, in original editions whose supply is fixed. That balance of broad cultural appeal and limited availability is central to the attraction. A carefully chosen print offers visual impact, a place within an important artist’s career and an established auction history against which to assess its price. For collectors, this creates an exciting opportunity to build a collection with both artistic substance and the potential for long-term appreciation.