Keith Haring Pop Shop III Set For Sale: Facts | Meaning | Market Demand

Pop Shop III is the Keith Haring portfolio about machines. Its four screenprints, made in 1989, set his figures loose around a radio and an early computer with a good deal of humour: one friend is hauled out of the radio by another, three figures cover their eyes, a pair of bodies become a pair of scissors cutting through a cord, and a yellow figure bends over the machine to see what is making the noise.

Technology was a long-running preoccupation for Haring. In 1978, the year he arrived in New York, he asked in his journal, “Are we controlling computers, or are we merely helping them to control us?” By 1986 his wariness had turned to curiosity, and he wrote that his drawings were “very close to the idea of ‘pixels’”. In 1987 he made a set of digital drawings on an Amiga, a model Timothy Leary handed out to artists including Warhol and Haring. The three figures covering their eyes use a gesture that recurs through his work in these years, including Rebel with Many Causes in the same year as these prints. For collectors, Pop Shop III is the one with a story, a playful, topical line aimed at the machine age, from an artist who was never quite sure whether to trust the machine.

For more information or to buy Keith Haring Pop Shop III prints, contact our specialists via info@alexyellop.com. Discover more Keith Haring signed prints for sale or find out more about selling your Keith Haring prints.

  • Keith Haring Pop Shop III (Littmann PP. 144-145)

    Explore the complete Pop Shop III Set or individual works for sale
    • Keith Haring, Pop Shop III Complete Set (Littmann PP. 144-145), 1989
      Keith Haring, Pop Shop III Complete Set (Littmann PP. 144-145), 1989
    • Keith Haring, Pop Shop III (A) (Littmann P. 144), 1989
      Keith Haring, Pop Shop III (A) (Littmann P. 144), 1989
    • Keith Haring, Pop Shop III (B) (Littmann P. 144), 1989
      Keith Haring, Pop Shop III (B) (Littmann P. 144), 1989
    • Keith Haring, Pop Shop III (C) (Littmann P. 145), 1989
      Keith Haring, Pop Shop III (C) (Littmann P. 145), 1989
    • Keith Haring, Pop Shop III (D) (Littmann P. 145), 1989
      Keith Haring, Pop Shop III (D) (Littmann P. 145), 1989
    • Keith Haring, Pop Shop Quad III (Littmann P. 142), 1989
      Keith Haring, Pop Shop Quad III (Littmann P. 142), 1989
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    The Keith Haring Market in 2026

    An Overview

    Keith Haring offers collectors a compelling combination of institutional standing, enormous global recognition and a finite supply of original editions. His work belongs to major museum collections, including New York’s Museum of Modern Art and the Museum of Contemporary Art, Los Angeles, while his imagery is recognised far beyond the art world. For buyers, this brings the opportunity to collect an artist whose cultural importance is established and whose appeal reaches across generations and international markets.

    That recognition is supported by substantial auction results. Haring’s record stands at $6.54 million, while all 31 subway drawings from a major private collection sold for a combined $9.2 million in 2024, demonstrating exceptional demand for this important group. His prints continue to appear consistently at international auctions, providing an established history of transactions against which collectors can assess an acquisition.

    Throughout Haring’s printed output, collectors can own the imagery that made him recognised around the world, in original editions whose supply is fixed. That balance of broad cultural appeal and limited availability is central to the attraction. A carefully chosen print offers visual impact, a place within an important artist’s career and an established auction history against which to assess its price. For collectors, this creates an exciting opportunity to build a collection with both artistic substance and the potential for long-term appreciation.