Keith Haring Pop Shop I Portfolio For Sale: Facts | Meaning | Market Demand

Pop Shop I takes its name from the shop Keith Haring opened at 292 Lafayette Street in SoHo on 19 April 1986, a tiny store he painted himself from floor to ceiling, with one of each item on display and a clerk ticking off what customers wanted, which Haring likened to fast food. Posters cost a dollar and Radiant Baby buttons fifty cents, and the reasoning was simple: so many copies of his work were circulating that he felt he had to make his own, “so people would at least know what the real ones look like”.

The audience he had in mind was the one he had drawn for in the subway, a place where “not only collectors could come, but also kids from the Bronx”, and where, as he told Rolling Stone in 1989, “The Pop Shop makes it accessible”. Warhol, by Haring’s own journal account, had all but persuaded him to go ahead when he began to get cold feet. Pop Shop I, made the following year, carried that idea into print, and commentators read each of the four screenprints as a small story of friendship and celebration. The shop closed in 2005 and its painted ceiling now hangs in the entrance of the New-York Historical Society, and for collectors Pop Shop I is where the idea starts: the first portfolio to carry the shop’s name, from the place where Haring’s belief in art for everyone was put into practice.

For more information or to buy Keith Haring Pop Shop I prints, contact our specialists via info@alexyellop.com. Discover more Keith Haring signed prints for sale or find out more about selling your Keith Haring prints.

  • Keith Haring Pop Shop I Set (Littmann PP. 82 - 83)

    Explore the complete Pop Shop I set or individual works for sale
    • Keith Haring, Pop Shop I (A) (Littmann P. 82), 1987
      Keith Haring, Pop Shop I (A) (Littmann P. 82), 1987
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    • Keith Haring, Pop Shop I (B) (Littmann P. 82), 1987
      Keith Haring, Pop Shop I (B) (Littmann P. 82), 1987
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    • Keith Haring, Pop Shop I (C) (Littmann P. 83), 1987
      Keith Haring, Pop Shop I (C) (Littmann P. 83), 1987
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    • Keith Haring, Pop Shop I (D) (Littmann P. 83), 1987
      Keith Haring, Pop Shop I (D) (Littmann P. 83), 1987
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    • Keith Haring, Pop Shop I (Littmann PP. 82-83), 1987
      Keith Haring, Pop Shop I (Littmann PP. 82-83), 1987
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    • Keith Haring, Pop Shop Quad I (Littmann P. 81), 1987
      Keith Haring, Pop Shop Quad I (Littmann P. 81), 1987
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    The Keith Haring Market in 2026

    An Overview

    Keith Haring offers collectors a compelling combination of institutional standing, enormous global recognition and a finite supply of original editions. His work belongs to major museum collections, including New York’s Museum of Modern Art and the Museum of Contemporary Art, Los Angeles, while his imagery is recognised far beyond the art world. For buyers, this brings the opportunity to collect an artist whose cultural importance is established and whose appeal reaches across generations and international markets.

    That recognition is supported by substantial auction results. Haring’s record stands at $6.54 million, while all 31 subway drawings from a major private collection sold for a combined $9.2 million in 2024, demonstrating exceptional demand for this important group. His prints continue to appear consistently at international auctions, providing an established history of transactions against which collectors can assess an acquisition.

    Throughout Haring’s printed output, collectors can own the imagery that made him recognised around the world, in original editions whose supply is fixed. That balance of broad cultural appeal and limited availability is central to the attraction. A carefully chosen print offers visual impact, a place within an important artist’s career and an established auction history against which to assess its price. For collectors, this creates an exciting opportunity to build a collection with both artistic substance and the potential for long-term appreciation.