Keith Haring Pop Shop VI Set For Sale: Facts | Meaning | Market Demand

Pop Shop VI is where Keith Haring’s figures turn into signs. In these four screenprints, made in 1989, bodies lock together and bend into shapes, in places forming a hand or a cross, all in bold colours held in thick black outline, with energy lines running from one body to the next in a show of solidarity and community.

The linked, energy-passing figures have a source that is easy to miss. According to Robert Farris Thompson, the Yale scholar who knew Haring, he owed some of his most expressive dancing outlines to the dancers at the Paradise Garage, the SoHo club where in 1985 he painted Grace Jones’s body, and to electric boogie, in which dancers pass a charge from one body to the next. Haring called the club “one of the biggest influences on my entire life”. Seen that way, the portfolio is about moving together: bodies that link, pass energy along and, in the right arrangement, spell out a symbol. It is the sixth and last of the Pop Shop portfolios, made the year before Haring died, and for collectors it is the clearest statement of what a group of people can build when they act together.

For more information or to buy Keith Haring Pop Shop VI prints, contact our specialists via info@alexyellop.com. Discover more Keith Haring signed prints for sale or find out more about selling your Keith Haring prints.

  • Keith Haring Pop Shop VI Set For Sale

    Explore the complete Pop Shop VI Set or individual works for sale
    • Keith Haring, Pop Shop VI (Complete Set) (Littmann PP. 150-151), 1989
      Keith Haring, Pop Shop VI (Complete Set) (Littmann PP. 150-151), 1989
    • Keith Haring, Pop Shop VI (A) (Littmann P. 150), 1989
      Keith Haring, Pop Shop VI (A) (Littmann P. 150), 1989
    • Keith Haring, Pop Shop VI (B) (Littmann P. 150), 1989
      Keith Haring, Pop Shop VI (B) (Littmann P. 150), 1989
    • Keith Haring, Pop Shop VI (C) (Littmann P. 150), 1989
      Keith Haring, Pop Shop VI (C) (Littmann P. 150), 1989
    • Keith Haring, Pop Shop VI (D) (Littmann P. 151), 1989
      Keith Haring, Pop Shop VI (D) (Littmann P. 151), 1989
    • Keith Haring, Pop Shop Quad VI (Littmann P. 143), 1989
      Keith Haring, Pop Shop Quad VI (Littmann P. 143), 1989
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    The Keith Haring Market in 2026

    An Overview

    Keith Haring offers collectors a compelling combination of institutional standing, enormous global recognition and a finite supply of original editions. His work belongs to major museum collections, including New York’s Museum of Modern Art and the Museum of Contemporary Art, Los Angeles, while his imagery is recognised far beyond the art world. For buyers, this brings the opportunity to collect an artist whose cultural importance is established and whose appeal reaches across generations and international markets.

    That recognition is supported by substantial auction results. Haring’s record stands at $6.54 million, while all 31 subway drawings from a major private collection sold for a combined $9.2 million in 2024, demonstrating exceptional demand for this important group. His prints continue to appear consistently at international auctions, providing an established history of transactions against which collectors can assess an acquisition.

    Throughout Haring’s printed output, collectors can own the imagery that made him recognised around the world, in original editions whose supply is fixed. That balance of broad cultural appeal and limited availability is central to the attraction. A carefully chosen print offers visual impact, a place within an important artist’s career and an established auction history against which to assess its price. For collectors, this creates an exciting opportunity to build a collection with both artistic substance and the potential for long-term appreciation.