Keith Haring Flowers Portfolio For Sale: Facts | Meaning | Market Demand

Flowers is a portfolio of five screenprints that Keith Haring made in 1990, the last year of his life, as a tribute to Andy Warhol’s Flowers portfolio of 1970. Warhol’s series showed photographic hibiscus flowers in vivid colours, and the orange flower in one of Haring’s prints resembles them in form and colour. Haring’s flowers are drawn in his own graffiti style, in bold outline, with paint that appears to drip from the forms and colour applied deliberately unevenly. Haring wrote in his journals that “whatever I’ve done would not have been possible without Andy”, and Flowers adds his own fluid line and childlike sensibility to Warhol’s subject.

The prints are looser than most of his editions. The drips and gestural marks recall Abstract Expressionism and Basquiat, who had died two years earlier, and the plant forms are fluid and often phallic, with a figure plucking the flowers in one print and a chain binding them in another. Because Flowers was made in the months before Haring’s death, it is often read as a reflection on mortality, as flowers are in vanitas painting. It was published by Tony Shafrazi Editions in New York, the house of the dealer who gave Haring his first major solo show in 1982. For collectors, Flowers links two friends across twenty years: Warhol’s flowers of 1970 and Haring’s of 1990.

For more information or to buy Keith Haring Flowers prints, contact our specialists via info@alexyellop.com. Discover more Keith Haring signed prints for sale or find out more about selling your Keith Haring prints.

  • Keith Haring Flowers Portfolio (Littmann PP. 165-167)

    Explore the complete Flowers Portfolio or individual works for sale
    • Keith Haring, Flowers 1 (Littmann P. 165), 1990
      Keith Haring, Flowers 1 (Littmann P. 165), 1990
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    • Keith Haring, Flowers 2 (Littmann P. 166), 1990
      Keith Haring, Flowers 2 (Littmann P. 166), 1990
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    • Keith Haring, Flowers 3 (Littmann P. 166), 1990
      Keith Haring, Flowers 3 (Littmann P. 166), 1990
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    • Keith Haring, Flowers 4 (Littmann P. 167), 1990
      Keith Haring, Flowers 4 (Littmann P. 167), 1990
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    • Keith Haring, Flowers 5 (Littmann P. 167), 1990
      Keith Haring, Flowers 5 (Littmann P. 167), 1990
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    • Keith Haring, Flowers Full Portfolio (Littmann PP. 165-167), 1990
      Keith Haring, Flowers Full Portfolio (Littmann PP. 165-167), 1990
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    The Keith Haring Market in 2026

    An Overview

    Keith Haring offers collectors a compelling combination of institutional standing, enormous global recognition and a finite supply of original editions. His work belongs to major museum collections, including New York’s Museum of Modern Art and the Museum of Contemporary Art, Los Angeles, while his imagery is recognised far beyond the art world. For buyers, this brings the opportunity to collect an artist whose cultural importance is established and whose appeal reaches across generations and international markets.

    That recognition is supported by substantial auction results. Haring’s record stands at $6.54 million, while all 31 subway drawings from a major private collection sold for a combined $9.2 million in 2024, demonstrating exceptional demand for this important group. His prints continue to appear consistently at international auctions, providing an established history of transactions against which collectors can assess an acquisition.

    Throughout Haring’s printed output, collectors can own the imagery that made him recognised around the world, in original editions whose supply is fixed. That balance of broad cultural appeal and limited availability is central to the attraction. A carefully chosen print offers visual impact, a place within an important artist’s career and an established auction history against which to assess its price. For collectors, this creates an exciting opportunity to build a collection with both artistic substance and the potential for long-term appreciation.